![]() “She was far less visible than her peers – more mysterious, more grown-up, more unattainable – and that had its own appeal,” Wintour told Vogue. She was less present in the public eye than her contemporaries, and when she relocated to California rather than modeling hub New York, her legacy wasn’t as widely acknowledged as theirs. Patitz told Milenio she preferred to live a lower-key life than her fellow supermodels and enjoyed “being surrounded by nature, away from concrete and noise” with her son and their animals. She continued to work in fashion throughout her 40s and 50s, but she chose her projects “very selectively,” she told Mercedes-Benz’s 63Magazine in 2016, and on those projects would attempt to “combine my work as a model with my vocation as a protector of nature and animals.” She told the Mexican magazine Milenio in 2021 that she was involved in California legislation to protect wild horses she also collaborated for years with the nonprofit Return to Freedom Wild Horse Conservation. Off the runway, Patitz was passionate about animal advocacy, even from her early modeling days, as noted in her 1990 Harper’s Bazaar profile. She also appeared with her son Jonah in a 2012 shoot at their California home. Gisela Schober/German Select/Getty ImagesĪ lifelong animal lover, she was photographed on horseback for a 1989 Vogue spread, also sporting several wide-brimmed cowboy hats. ![]() And in 2016, she appeared in a black-and-white Italian Vogue cover shot by Lindbergh. She was just one face among a sea of supermodels for Vogue’s 100th anniversary cover in 1992, all of them dressed identically in white jeans and white button-down shirts tied at the midriff. Patitz appeared on more than 130 magazine covers in her life, according to Elite. The photographer Matthew Rolston said of Patitz in that 1990 story, “There’s a depth, an emotional quality in her that’s truly extraordinary.” Her appearance, she said, wasn’t just beautiful it was memorable and evocative. Like Garbo or the Mona Lisa, the inexplicable gifts of line and luminescence defy definition.” Her piercing gaze gave her a slightly more otherworldly look, according to observations from those in the industry. Patitz was, at the time of her ascent, considered “unusual” looking compared to the other dominant models, according to a 1990 Harper’s Bazaar story: “Indeed, Patitz’s features almost confuse. Patitz (second from right) hangs on the shoulder of longtime collaborator Peter Lindbergh, flanked by models Karena Alexander (left) and Milla Jovovich, in 2016. The image prompted singer George Michael to cast the women in the video for his single “Freedom! ’90” which also became a cultural artifact. Then came an iconic 1990 British Vogue cover, also shot by Lindbergh – Patitz, one of the “original” supermodels of that era, appeared alongside Christy Turlington, Cindy Crawford, Naomi Campbell and Linda Evangelista. He took a now-iconic 1988 Vogue photo of Patitz and other models on a beach in Santa Monica, California, traipsing in the sand in matching white shirts. It was around this time that she became the muse of photographer Peter Lindbergh, for whom she’d model until the 2010s. Her career didn’t take off, though, until the late ’80s. ![]() (Cindy Crawford was also a finalist that year, per Elite.) Victor Virgile/Gamma-Rapho/Getty Imagesīorn in Hamburg, Germany, and raised in Sweden, Patitz was discovered in 1983 when she was a finalist of the “Elite Model Look” competition, in which Elite agency heads selected her from a pool of unknowns. Tatjana Patitz walks the runway at the Chanel Ready to Wear Spring/Summer 1991-1992 fashion show during Paris Fashion Week in 1991. ![]()
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